I jumped on this project last minute as the light assistant/best boy. A very dedicated team of people have been working on it for over a year and this is round two of shooting the project.
Director: Ole Fredrik 'offe' Wannebo, DoP: Arne Vidar Stoltenberg, Gaffer: David Hortman Bøe. Pictures by me.
Check out the Ragnarok facebook page!
Light setup was quite simple, but beautiful. Maxibrute with 1/2 CTB as moonlight and two small fresnels with 1/2 CTO, +real firelight and torches. After rigging I got a chance to take some pictures with a borrowed camera. I included my favorites below. Details about the lighting are further down.

Moonlight from a maxibrute on top of the hill not too far away. Magic arms with mafer clamps to secure the gel frame to the light. 1/4 diffusion + 1/2 CTB. Widn't use all the power because it was supposed to look realistic, and the firelight would be dominating in that case. We didn't use a HMI because this light let us split the power draw over 3 wall sockets.

Typical use of the 300w fresnel to boost the lighting from the practicals. 1/2 CTO, sometimes 1/2 ND (our dimmer broke).

650w fresnel dimmed down with 1/2 CTO to boost the firelight. Spotted to soften it a bit.
Other than that I would sometimes lay on the ground with torch in hand to boost the light wherever needed.
​Hope you enjoyed! Fire any questions over at my twitter @tonivuc or in the comments!

I finally got my business cards today! Here is a picture of them I put up on Instagram. I just thought I'd show you how I got this result in my living room.

This was accomplished primarily using my little ebay LED Light (Viltrox L132T), which goes for about 50$ on Amazon, with shipping. 

With only one light it was pretty important where to place the key light. The position above is a compromise. Preferrably I would have angled it more towards the background, but I needed the exposure on the paper in front of the business cards to be bright as well. So this was where it ended up. Had I lit it frontally the background would hav been too dark. Maybe I could have lit it from above, but I noticed that the shiny cards facing up were prone to overexposing, and it could have ended up quite flat, so really this was the best choice in my opinion.

So I've been waiting for new business cards for over a month now. And I designed them myself so why not show em off now that they finally arrived eh?

Well the above is what I ordered

And the above is what I received, taken with my LG G4's cellphone camera. Now both you and I know that the picture above is just sad, so I had to do something. So out comes the new light. And I'm thinking, my shitty collective doesn't have any nice places to take a picture so I might as well block it all out. The first white thing I found was the magazine seen above. Then I found some kitchen rolls and finally I ripped an old A4 paper from an old exam to cover up the picture to the right.

And out of the camera comes that. Now If I was making a movie obviously I'd need something else than kitchen rolls and a magazine, but static pictures gives some liberty to do stuff in post. I turn to my trusty friend paint.NET, a free image editing software for Windows.

So I start by blowing out the highlights. I guess this is as far as you could go with a moving image without fancy after effects work.

Step 1, 2, 3 is adding gradients that go from white to transparent around the image. Then in Step 4 I cloned the main layer, made it more contrastry, and made two gradients from that to transparent. Then I overlaid that on the main layer to make it all look white.

I think that if you overexpose more than I did, you could get a pretty white background. My problem was that the cards had white edges and risked burning out. So maybe if the entire object was very dark. Otherwise I think you would need more lights to light foreground and background seperately, and have a stronger fill  light to ensure there are no dark areas.

​I hope you enjoyed the post! Cheers!